There’s no algorithm that the human eye can’t best.—Alec Julien

Designers: please spent just a few extra minutes making sure your rounded corners are done right. Examples of negligence are easiest to spot when a rounded-corner shape is inset inside another rounded-corner shape.

If the corner radius is the same for both shapes, you’ll have problems. If Square A sits inside of Square B and is smaller than Square B, the corner radius for Square A also has to be smaller. See the examples below:

Its entirely possible that there’s a Mr. Wizard math formula that will help you figure out how to adjust the corner radius depending on the change in size of the shape, but I’m not smart enough to figure that out. This doesn’t have to be rocket science, though.

A designer’s keen eye is often enough to prevent the problem. Spending just a couple of extra minutes paying attention to the details will make the world a better place, don’t you think?

When you’re a carpenter making a beautiful chest of drawers, you’re not going to use a piece of plywood on the back, even though it faces the wall and nobody will ever see it. You’ll know it’s there, so you’re going to use a beautiful piece of wood in the back. For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through.— Steve Jobs, explaining something his father taught him

Check out this article on Fast Company, which describes the 6 Pillars of Steve Jobs’ Design Philosophy.

This is my favorite quote from Steve Jobs. It completely describes and even validates what I do. Thank you, Steve.

“Design is not just what it looks like and feels like. Design is how it works.”— Steve Jobs

Sure, there are lists out there decrying the use of Comic Sans and Papyrus. That goes without saying by now, right? This isn’t that type of list. This is a list of fonts that are otherwise perfectly acceptable by most designers. In fact, most people who read this list will think I’m crazy or just don’t know anything about typography.

I’m not advocating that these fonts be completely uninstalled from all computers. Non-designers should feel free to mess around and use these fonts if they like. But designers can do better. Without further ado, let the countdown begin:

5. Futura

Ok, everyone can stop yelling at me now. Let me explain. Yes, I can’t stand Futura. Sure, it looks great in diagrams and charts from old biology books from the 60s. But it is old and tired. There are much better choices for us now.

Recommended alternatives: Helvetica, Myriad, Frutiger

4. Trajan

This typeface should be reserved only for use in epic blockbuster movie titling. Maybe the reason I don’t like Trajan is because I also hate the use of small caps. Again, there are simply better choices out there.

Recommended alternatives: Garamond, Goudy

3. Avant Garde

Another tired font that perhaps was once a great choice, but is now tired and over-used. According to Wikipedia, the term avant garde is French and “refers to people or works that are experimental or innovative, particularly with respect to art, culture, and politics.” That’s why we should stop using it. If we select this font, we’re going out of our way to be perceived as “innovative”. Let’s put an end to that nonsense.

Recommended alternatives: Helvetica, Gothan, Din, anything else really

2. Lobster

We can all thank the Google Font Directory for this one. This font just screams “cliche” to me — in a really loud and annoying voice. Perhaps if you are making a logo for a restaurant, that may be the only acceptable use. I don’t know, if you have a business that actually does involve lobsters, then maybe you can get away with this, but otherwise steer clear.

Recommended alternatives: Fan Script, Candy Script, Bello

1. Gill Sans

This is most likely the worst of the bunch. The only problem is I don’t really have a good reason for disliking this font. But I just can’t stand it. I have uninstalled it from my computer due to its offensiveness. Doing a Google search just now to look at some examples just makes me angry. Its so wrong in so many ways, I can’t even begin to describe what I don’t like about it. Typography kryptonite for sure.

Recommended alternatives: Helvetica, Gotham, Trebuchet, Museo, Facit, Din … heck, even Arial is better!

If you’re a designer on the fence trying to decide between Fireworks or Photoshop, perhaps some of these interviews could help you decide. Or, if you’d just like to be inspired by some other Fireworks users, this is a nice resource.

Either way, check it out and while you’re there you can read my answers regarding some favorite Fireworks features, how I use it and my thoughts on Fireworks vs. Photoshop.

What I love about the web design field is that it doesn’t require any special certifications, formal education or any other traditional qualifiers. Everyone who has ever decided to start a career as a web designer has probably taken a different path to get there. The route I followed to get where I am today is unique to my life choices and circumstances. So it would be ridiculous to say that there is a preferred path or that one way will work better than another.

The great thing about it all is this: you get to choose the path! However you get there, here are some tips that might help along the way.

Read

Read everything about design/development that you can get your hands on. This is where it starts. We are fortunate, in this profession, that there is so much information available and that there are so many generous folks out there willing to share what they know for free. Read design magazines. Read tutorials and how-tos. Read some design books. The sources are virtually unlimited — you just have to want the knowledge enough and take the time to go get it.

Listen

I think I’ve mentioned before how hearing Jeffrey Zeldman speak at Web Design World in Boston in 2002 changed my whole perspective on web design and subsequently kicked my career into gear. If you’ve never been to a design conference, do yourself a favor and sign up for one. It really can change your life. I would highly recommend one of the An Event Apart conferences.

Practice

Publilius Syrus, a 1st Century Roman author said, “Practice is the best of all instructors.” This is probably the most important part of the journey to become a successful web designer. Like any worthwhile endeavor, if you want to get better at it, you have to practice. If you want to become a web designer, then just start doing it.

I started off by looking at the code of other designers to see how they achieved certain effects. I spent a lot of time copying/pasting and deconstructing other designers’ websites. I’ve also spent countless hours pouring over my own HTML or CSS code trying to perfect just the right look. It all takes time — and lots of practice.

So that’s pretty much it. There are many ways to get there, but if you want it bad enough, then reading, listening and practicing will be your loyal companions along the way.